Catholicism in 20th Century America
A joint venture between the Cushwa Center and Cornell University Press, the Cushwa Center Studies of Catholicism in 20th Century America series features books by senior and junior scholars that explore the ways in which Catholics and their church have responded to, shaped, and been influenced by developments in American society, culture, politics, and religion throughout the 20th century. The series editor is R. Scott Appleby.
All Good Books Are Catholic Books: Print Culture, Censorship, and Modernity in Twentieth-Century America (2013)
by Una M. Cadegan
In All Good Books Are Catholic Books, Una M. Cadegan shows how the Church’s official position on literary culture developed over the crucial period from World War I to the close of Vatican II, and how Catholics developed a rationale by which they could both respect the laws of the Church as it sought to protect the integrity of doctrine and also engage the culture of artistic and commercial freedom in which they operated as Americans. Catholic literary figures including Flannery O’Connor and Thomas Merton are important to Cadegan’s argument, particularly as their careers and the reception of their work demonstrate shifts in the relationship between Catholicism and literary culture. Cadegan trains her attention on American critics, editors, and university professors and administrators who mediated the relationship among the Church, parishioners, and the culture at large.
Contributors: R. Scott Appleby, University of Notre Dame; Lizabeth Cohen, Harvard University; Kathleen Sprows Cummings, University of Notre Dame; R. Marie Griffith, Washington University in St. Louis; David G. Gutiérrez, University of California, San Diego; Wilfred McClay, University of Tennessee at Chattanooga; John T. McGreevy, University of Notre Dame; Robert Orsi, Northwestern University; Thomas Sugrue, University of Pennsylvania
by James T. Fisher
Site of the world's busiest and most lucrative harbor throughout the first half of the 20th century, the Port of New York was also the historic preserve of Irish American gangsters, politicians, longshoremen's union leaders, and powerful Roman Catholic pastors. This is the demimonde depicted to stunning effect in Elia Kazan's On the Waterfront (1954) and into which James T. Fisher takes readers in this remarkable and engaging historical account of the classic film's backstory.